![]() |
C
|
D
|
E
|
F
|
G
|
H
|
I
|
J
|
K
|
L
|
M
|
N
|
O
|
P
|
Q
|
R
|
S
|
T
|
U
|
V
|
W
|
X
|
Y
|
Z
|
IF you have read my practice section, you will (or ought to) remember that every problem originating in the music has the solution in the music. Every composer has written whatever they needed to in the music, such as dynamics, tempo, etc. These words describe exactly how the composer wanted it played. After all, when you play the music, you should play it as the composer would have and not play it the way you WANT to. These terms will help you fugure out the meanings of the words that the composer used to describe what he wanted in the music.
TIP: you can go to edit and then find to search for a specific word.
Note: I have spent hours working on this section. Please Don't copy it onto your own website. If you want to all you have to do is ask me kindly and I'll let you do it on certain conditions, like puting my banner on your site or making a link to my site.
A
A: |
Abbreviation for Alto |
a, à | At, by, for, in, to with |
ab | Off |
abandon, abbandono | Abbandon, free, passionate |
a battuta | Rhythmical and on the beat |
abbellire | Ornament |
abbellimenti | Ornaments |
absolute music | Instrumental musica without extramusical associations |
absolute pitch | The ability to recognize the actual pitch of any note heard |
a cappela | Without accompaniment |
accelerando | Becoming gradually faster |
accent, acceénto | To emphasize a note. It's also marked (>) |
acciaccatura | A grace note which is played simultaneously with the principal note and immediately released |
accidentals | Sharps, double sharps, flats, double flats, or natural signs used to raise lower, or return a note to its normal pitch. Their effet lasts through th remainder of the same measure. |
accompaniment | Vocal or instrumental parts that accompany a melody |
accord, accordo | Chord |
accodare, accoder | To tune |
acoustic | A non-amplified or non-electric instrument |
acoustics | The science of sounds |
action | The mechanism of an instrument that is set into motion by the performer's fingers |
adagietto | A tempo slightly faster than adagio |
adagio | A slow tempo which is faster than largo and slower than andante |
added sixth | A triad inclung the sixth note above the root. Ex. C,E,G,A |
addolorato | With Grief |
a demi-voix | With half the power of the voice |
a deux, a due | For two instruments or voices, abbriviated a2. When two parts are written on one stave, it indicates that both are to play in unison |
a deux mains | With two hands |
a due corde | On two strings |
A dur | The key of A major |
ad libitum, ad lib. | Optional, or at will. The performer may omit a section, improvise freely, or alter the tempo |
ADSR | In synthesis, the abbreviation for "attack, decay, sustain, release." |
Aeolian | A mode that corresponds to the half and whole step patterns created when playing A to A on the white keys of the piano. it is the same as the natural minor scale. |
aeolian harp | A stringed instrument that sounds when struck by a blowing wind |
aerophones | Instruments that produce sounds through the vibration of air |
affestuoso | With tender emotion |
afflicto | Sad melancholy |
affrettando | Hurrying |
aftertouch | The ability of an electronic keyboard to determine how hard a key is being depressed after it has been struck |
agilita, agilite | Light or lively |
agilmente | Lightly |
agitato | Agitated |
Agnus Dei | The fifth part from the Ordinary of the Mass. Literally means "lamb of God" |
agogic accent | To emphasize a note by giving it a longer duration than normal |
air | A song, melody, or tune. |
Ais | The note A- sharp |
al, all', alla, alle | In the sytle of |
Alberti bass | An accompaniment derived from broken chords usually found in the left-hand part of keyboard music. |
album |
1. A collection of musical pieces either printed or recorded 2 Slang for a 12 inch vinyl recording |
Albumblatt | A short piece usually for piano |
al coda | To the coda |
aleatory music | When elements of a piece of music are determined by chance. |
al fine | to the end |
algorhythm | The process of how a synthesiser solves a problem |
alla breve | A tempo indication (cut time) where the half note recieces the beat rather than the qaurter note |
Allargando | becoming slower and broader |
allegretto | Cheerful, quick, or fast |
allemande |
1. A german dance usually in duple meter, commonly found in a suite 2. A german dance in 3-4 time. |
allentado | Slowing |
All'ottava | At the octave. Play the passage one octave higher than written. Abbreviated 8 or 8a |
al segno | Go to the sign |
alteration | The raising or lowering of a note with an accidental |
altered chord | A chord in which one or more notes have been raised or lowered chromatically |
alto |
1. The lowest femal singing voice sometimes called a contralto. 2. A high, falsetto male singing voice 3. Viola 4.High |
alto clef | The c clef usually used by the viola, where middle c is found on the third line of the staff |
altra, altro | Another |
AM | Abbreviation for amplitude modulation |
amabile | Tender, gentle |
A moll | The key of A minor |
amore | Love |
amp | Abbreviation for ampplifier |
amplifier | A divce used to strengthen the power of the sound of an electronic instrument |
amplitude |
1. The volume of a sound 2.In electronic music, the height of the waform which determines the volume of a sound. |
amplitude modulation | To alter the amplitude of an electronic intrument or device |
am Steg | On the bridge |
anacrusis | Upbeat or pickup |
analog | When voltage is used to control a sound in synthesis. As opposed to digital |
analysis | The study of form and structure in music |
ancora |
1. Still again 2.Repeat, encore |
andante | A moderate, graceful tempo slightly slower thallegretto and faster than adagio. |
andantino |
1. A tempo slightly faster than andante 2. A tempo slightly slower than andante (seems sort of stupid, but it's true) |
anglaise | English |
anima | Spirit, life |
animato, animoso | Animated, spirited |
answer | In a fugue, the second entry of the subject which is at a different pitch than the first entry |
antecedent |
1. The first phrase of a musical period 2. THe theme or subject of a canon or fugue. |
anthem | A protestant choarl composition, with religious text |
anticipation | One or more nonharmonic tones played before the chord in which it belongs |
antiphon | A short chan sung before and after a psalm or canticle during the Roman Catholic Mass |
antiphonal | When seperate groups of performers alternate or respond to each othe |
appassionato | Passionately |
appoggiando | Emphasized |
appoggiatura | A nonharmonic grace note that resolves stepwise to a harmonic note |
arabesque |
1. An imaginative piano piece. 2. An ornamented passage accompanying or varying a theme |
arcato | Bowed. To bow a stringed instrument |
archet, archetto | To bow a stringed instrument |
arco | To bow a stringed instrument |
ardito | Spirited, bold |
aria | A solo vocal piece usually associated with opera and oratorios |
aria buffa | A comic aria |
arioso | Lyrically |
arpa | Harp |
arpeggiato, arpeggiando | Harp-like, arpeggiated. |
arpeggiator | A device on a synthesizer that automatically plays chords as an arpeggio |
arpeggio | The notes of a chord played one after another |
arrache | Very strong pizzicato |
arrangement | An adaption of a composition for a medium other than that which it was originally written. (wrtten for another instrument) |
ars antiqua | Literally "old art" used to indicate music of the 12th and 13th centuries, especially the music of Leonin and Perotin |
ars nova | Literally, "new art." Used to indicate the music of the 14th century, especially the music of Manchuat and Landini |
articulation | The manner in which notes are performed, such as staccato or legato |
artificial harmonic | On stringed instruments, a harmonic played on a fingered or fretted string, rather than an open string |
As | The note A-flat |
ASCAP | Abbreviation for American Society of Composers, Author, and Publishers |
As dur | The key of A-flat major |
assai | very extremely |
assez | Enough, fairly |
assoluto | Absolute |
a tempo | Return to the original tempo or speed |
atonal | Music without a tonal center or key. |
attaca | Continue immediately to the next section or movement without break. |
attack | The act of beginning a note or phrase |
attendant keys | Those keys relative to a major and minor scale. For example, the attendant keys of C major are D minor, E minor, and F major, G major, and A minor. |
attenuator | A device that adjusts the amplitude of a signal in synthesis. |
audio | The electronic representation of sound, |
audition | |
Aufschwung | Soaring |
augmentation | Enlongating the duration of notes |
augmented | Raised |
augmented chord | A major triad with the fifth raised a half-step |
augmented interval | An interval raised by a half-step |
augmented sixth chord | A chord that includes the interval of an augmented sixth, that resolves outward to an ocatave. |
aulos | An ancient Greek double reed wind instrument |
authenic cadence | A cadence that ends with the dominant (V) chord pregressing to the tonic (I) chord |
authentic mode | A mode whose key note is the lowest note. As opposed to a plagal mode, whose keynote is a fourth higher than the lowest note |
auxiliary notes | A note a whole step above or below the main note |
avec | With |
axe | slang for a musical instrument (don't know which idiot came up with this one) |